MA’s is a bespoke product; guild labored, and installed by specially trained and certified artisans. It is a waterproof cement micro-topping that lends itself to modern, seamless, one-of-a-kind interiors, exteriors, and many different finishes.
ABC is delighted to share our passion for contemporary design and our unwavering commitment to cutting-edge excellence. Beautiful projects start with an inspired vision and we are honored to be your partner as ideas move from concept to visually stunning reality.
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ABC Stone brought expert MA’s installer, Joseph Peisley, to the US from France to certify and train our artisans in a week-long intensive course. We now have 8 specially trained installers ready to turn your vision into reality.
“3D laser scanning expands horizons for North American quarrier” by Mark E. Farber and Richard A. Hisert (from Stone World, April 2016)
Read full article here.
For this year, the ICFF exhibition floor was expanded by 30%, from 2015, and the Fair featured exhibitions of over 150 new brands on two floors and over 165,000 net square feet. In addition to which there were panel discussions, including Design Trends: A Multi-Perspective View of the Year Ahead, moderated by Bill Indursky, founder of Design Life Network; and the prestigious ICFF Editors Awards, awarded to the best of the year’s design in 11 categories by a panel of judges which this year included Spencer Bailey of Surface Magazine, David Dick-Agnew of Azure, Amanda Dameron of Dwell, Annie Block of Interior Design, and Paul Makovsky of Metropolis.
See some of our favorite moments from the show:
While I have ostensibly come here to procure a marble last seen almost a century ago, I am suddenly aware that I am witnessing the excavation of history. The timeless nature of the quarry and its fruits evoke a feeling of awe. I see around me the hand of God laying down layer after layer of beauty in motions that span from the beginning of time, and I hear the echoes of the distant past, the long silent rumblings of the earth spewing forth its bounty from a time before man.
Émile tells me that the Ancient Romans were the first to work the quarry and called the stone ‘marmum celticum’—Celtic marble,—and I am inspired to recall those Iron Age chieftains who once presided over this fertile region of southwestern France, some two-thousand years before it came to be known as Ariège. The Celts were among the first in history to produce steel and iron, thus pioneering that great leap forward in the development of human civilization. Similarly, here in this quarry, I am witnessing man’s incredible spirit at work. I consider the thought process of our distant relatives as they decided to dislodge this rock from the mountains which birthed it. I consider how they truly must’ve believed that nothing was impossible.
Émile explains that though this quarry has just recently been reopened after more than 70 years lying dormant, some of the great structures that this marble adorns still stand strong. The imposing statue of St. Peter at Westminster Abbey, the doleful tomb of Joseph Napoleon, the columns of the Tarbes Cathedral, the stately Diana Salon, of Louis Le Vau, in Louis XIV’s grand appartement in the palace of Versailles; the St. Louis Chapel at Les Invalides in Paris; and the Hagia Sophia in Istanbul.
No matter how many times my work brings me to a quarry, I am freshly struck by the genius of the men who learned to live and work with the unimaginable weight and size of these blocks of stone in a time before the machinery of today allowed it to be moved about with relative ease. It occurs to me that the digging out of this marble, Grand Antique, and the incredible revitalization of this abandoned quarry is owed to more than the mere mechanics of stone quarrying: it is man’s eternal attempt to truly capture in architecture and design, the true art that is nature.
The natural stone currently on view at ABC represents only the finest rocks on Earth. Procured from 6 continents, ABC has truly moved mountains across oceans to bring the finest stone on Earth to the A&D community. I am proud of my work today… the bundle of Grand Antique slabs that I took part in purchasing is the first sold directly to the United States in 70 years. And we are honored to bring it to you.
Structures incorporating Grand Antique marble:
On April 20th, The Carrara Residency celebration and unveiling was held at ABC Stone’s Brooklyn showroom and warehouse to honor the 2015 recipients of the Merit Award, Marco Palli and Joshua Henderson.
Trained in Civil Engineering and Business administration, Marco Palli has always seen the world in a mathematical way. A multidisciplinary artist, Marco found his way to sculpture after pursuing in-depth explorations into music and literature. Palli describes his creative process as “Meditating about happiness.” At this year’s celebration, Marco unveiled his sculpture Transparent to transcendence, which he characterizes as a conceptual self-portrait. “The piece revisits my own culture,” he says, “exposes my roots as a Catholic man who has perhaps lost his own identity.”
Joshua Henderson was born in 1986 as one of seven siblings, in a small town in the foothills of the Rocky Mountains. After studying art at Southern Utah University, and receiving his BFA in 2013, he attended the New York Academy of Art, where he received an MFA with a focus on sculpture. He is a two-time recipient of the Carrara Residency Merit Award. 1st Witness, which was unveiled at the celebration, is part of a series of ten stone carvings which he describes as, “expressing the two-sided nature of things that brings us comfort.”
Other esteemed artists on view included Barry X Ball, Stephen Shaheen, Barbara Segal, Michael Kukla, and Alasdair Thomson.
We would like to thank Wild Dogs International (www.wilddogsinternational.com) for the spectacular projections and lighting they provided, the band ZS (www.zzzsss.com) for the stellar performance and DJ set, Elliot Goldstein (www.elliotgoldstein.net) for perfectly capturing the festivities with immense style and aplomb, and our amazing wine sponsor for the second year running, Maison Belle Clare (www.maisonbelleclaire.com).
In 2004, Hadid became the first woman to win the prestigious Pritzker Prize,—considered, in design circles, the “Nobel Prize of architecture”— a feat which put her in the same league as previous winners I. M. Pei and Frank Gehry. She was also two times a winner of the Royal Institute of British Architects Stirling Prize, and was, in 2012, created a Dame Commander of the Order of the British Empire. Notable works include the striking London Aquatics Centre, constructed for the 2012 Summer Olympics, the Bridge Pavilion (Pabellón Puente) in Zaragoza, and the Riverside Museum in Glasgow.
Known to critics and design aficionados the world over as the Queen of the Curve, Hadid was born in Baghdad in 1950, and attended the Architectural Association School of Architecture in London, where she studied under fellow Pritzker Prize-winner Rem Koolhaas, and Elia Zenghelis. She would later work side-by-side with both luminaries. Her aesthetic came to encompass elements of cubism, such as multiple point perspective and evinced a fascination with expanding symmetries, commonly known as fractals,—unsurprising given her academic background in mathematics.
At the time of her death, Hadid was being treated for bronchitis.
Scroll down to view more of Hadid’s amazing contributions to modern architecture.