Our friends at DDG Partners have undertaken a bold and daring architectural experiment in this grey brick residential tower, which plays intelligently with the typologies of the Art Deco architectural style, to be assembled in Carnegie Hill, Upper East Side, Manhattan. In addition to eye-catching vaulted balconies with brass frames, the building will be made of nearly 600,000 uniquely textured, elongated Kolumba bricks. The building will stand 50-storeys and contain 48 residences, of which a key feature will be vaulted ceilings rising as high as 14 feet. The interiors will also reflect the predominating pre-war aesthetic, and the bathrooms will abound in silver travertine.
IA Interior Architects‘ Toronto office, in collaboration with our friends at their New York office, have completed the new Toronto offices of Scotiabank, a Canadian multinational bank and financial services firm. Offices for “The Digital Factory” as it is now known were designed by IA with a view towards fomenting productivity among staff, and enticing tech-savvy professionals to join their ranks. After observing that the staff generally gathered in an unofficially designated central area to collaborate and present work, IA installed a rotunda 32’ in diameter, to function as a planned gathering space. Also notable here is the use of color and lights: a wall of LED panels stream live company metrics including customer feedback; bright colors distinguish six neighborhoods to help make the immense interior easier to navigate: “art,” “storytelling,” “architecture,” “gaming,” “music,” and “film.”
The 274-unit Chestnut Commons built-community/development will be one of the first affordable housing complexes to rise in East New York, Brooklyn, following its recent rezoning; the location is a large vacant lot bounded by Dinsmore Place, Chestnut Street, and Atlantic Avenue. Brought to you by our friends at Dattner Architects, the Commons will be built to passive house standards and unlike most affordable housing developments covered in articles flagged up in this briefing, it will actually serve low-income New Yorkers with 29% of units set aside for families making up to $26K/y. The building will comprise studio apartments, 1-, 2-, and 3-bedrooms, and will also have space for community organizations: a satellite campus for CUNY Kingsborough Community College, a new performing arts center by ARTS East New York, a food manufacturing incubator, and a social services center.
Two years since the parish house of the Madison Avenue Baptist Church was razed to make way for a Morris Adjmi-designed condo tower, extensive renderings of which have been made available to the New York Times and now your eyes. 30E31 will be the tallest building designed by our friends at Morris Adjmi Architects in the City of New York. Adjimi drew inspiration from both modernist skyscrapers of the city and the Gothic architecture of nearby churches: a minimalist design at the base of the façade which gives way to a zigzagging design closer to the top, where a duplex penthouse boasts zigzagging windows. Finishes and amenities worth mentioning: white oak flooring, and Calacatta marble bathrooms; a private communal dining room, and a communal garden.
Our friends at Snøhetta’s “Under” will actually be more than just a restaurant: when not in use, it will host scientists from Norwegian research centers devoted to behaviorally training wild fish with sound signals in order to create and maintain optimal conditions on the seabed for these animals to thrive in close proximity to the restaurant. Which is useful because there they will be eaten: the restaurant will offer locally sourced seafood prepared under the direction of Danish chef Nicolai Ellitsgaard Pedersen. “Under” will even provide a habitat for shellfish: the structure itself will be a concrete shell, coarse enough on its exterior to encourage mussels to lodge themselves in its surface. The interiors will feature a palette of concrete and dark oak evocative of the structure’s surrounding natural environment. “Under” will feature three levels; its entrance is adjacent to a tidepool; it descends sixteen feet under the North Sea. And boasts a 36’x13’ acrylic window with views of the seabed as it changes with the seasons.
Brad Cloepfil, and our friends at Allied Works Architecture, have undertaken a 2,900 SqFt revamp of the three Michelin star restaurant currently ranked the best in the world, Eleven Madison Park. The commission came from the historic restaurant’s new owners, Will Guidara and Daniel Humm, who sought a design that would serve as the best possible forum for presenting what Cloepfil calls “the chef’s art:” the team strove to leave intact the spirit of the original interior while adding elements drawn from art and nature (the design for the rugs draws inspiration from the imprint of wet leaves on the sidewalk.) The pervasive yellow of the room, due to its wood paneling, was replaced with a more earthy, neutral palette with light touches of wood. They installed large mirrors to reflect the natural light from Madison Park across the road; lamps and curved padded banquettes resembling sofas.
David Adjaye has revealed its plans for a new museum of the history of espionage, SPYSCAPE, which will feature significant interactive content. SPYSCAPE will cover 60,K SqFt, and will be located near Times Square. For the project, our friends at Adjaye Associates draw inspiration from spaces occupied by various spy organizations of the world; the interiors will resemble a small town with spaces unfolding beneath a vaulted canopy. SPYSCAPE will also be notable for its variously unique lighting strategies, and the use of materials such as smoked glass, fiber cement, acoustic paneling, and mirror-/weather-polished steel to foster a sense of wonder and observation. Says Lucy Tilley, Associate Director for Adjaye Associates, “We have been able to challenge the traditional museum typology with a design that creates a new model of visitor experience which straddles the physical and digital worlds.”
Thomas Heatherwick’s office has teamed up with our friends at Foster + Partners to create dueling skyscrapers which will stand at the intersection of Shanghai’s Old City and the (newer) Bund Finance Centre. The two studios have devised a 4.5M SqFt masterplan, of which the centerpiece, the Fosun Foundation, completed earlier this summer, is an arts and culture center with a bright curtain-like facade of bronze tubing. Influenced by the 19th-century buildings of the Bund, the glazed skyscrapers will feature textured frames of granite which will attenuate as the towers rise. This give the base a more solid appearance than the glass-encased tops. The towers feature bronze and granite detailing to link them aesthetically to the Fosun Foundation.
The Cummins Indy Distribution Headquarters is a glass office tower in Indianapolis with unique projections which jut out from its facade. Built on the site of a former sports arena, it occupies a four-acre block which runs along Market Street, a major thoroughfare and cultural district in Indianapolis, creating what the office describes as a “street wall.” The building serves as a global distribution HQ for Cummins. That corporation has in the past contributed to the architectural beautification of the city of Columbus, Indiana by enlisting for its office-building purposes the services of architects like Eero Saarinen and IM Pei. The structure, by our friends at Deborah Berke Partners, which contains offices, social areas, conference facilities and retail volumes, was conceived as a narrow, long, and short (nine-storey) building with shifting floorplates, some of which cantilever outwards, giving the facade its distinctive look.
“The One” will, upon completion, stand 3300’/85-storeys and will be the tallest building in Canada. The building will combine high-end retail (below) with luxury condominiums (above), and will lie at One Bloor West, between Downtown Toronto and the opulent Yorkville neighborhood. The building’s facade will feature full-height glazing on each floor, and will be wrapped in a wildly geometrical expressive exoskeleton of diagonal, vertical, and horizontal shapes in bronze. Designed by our friends at Foster + Partners, in collaboration with CORE Architects, “The One” also offers access to the city’s underground ‘PATH’ network of pedestrian walkways. The residential floors are based on flexible 620-square-foot modules and can be configured into different layouts; amenities will include shared spa and fitness facilities, a library, formal entertaining rooms, and a large south-facing terrace with luxe spaces.