Allied Works’ Renovation of Eleven Madison Park

Brad Cloepfil, and our friends at Allied Works Architecture, have undertaken a 2,900 SqFt revamp of the three Michelin star restaurant currently ranked the best in the world, Eleven Madison Park. The commission came from the historic restaurant’s new owners, Will Guidara and Daniel Humm, who sought a design that would serve as the best possible forum for presenting what Cloepfil calls “the chef’s art:” the team strove to leave intact the spirit of the original interior while adding elements drawn from art and nature (the design for the rugs draws inspiration from the imprint of wet leaves on the sidewalk.) The pervasive yellow of the room, due to its wood paneling, was replaced with a more earthy, neutral palette with light touches of wood. They installed large mirrors to reflect the natural light from Madison Park across the road; lamps and curved padded banquettes resembling sofas.

Adjaye Associates’ Interactive Spy Museum SPYSCAPE to Open in NYC

David Adjaye has revealed its plans for a new museum of the history of espionage, SPYSCAPE, which will feature significant interactive content. SPYSCAPE will cover 60,K SqFt, and will be located near Times Square. For the project, our friends at Adjaye Associates draw inspiration from spaces occupied by various spy organizations of the world; the interiors will resemble a small town with spaces unfolding beneath a vaulted canopy. SPYSCAPE will also be notable for its variously unique lighting strategies, and the use of materials such as smoked glass, fiber cement, acoustic paneling, and mirror-/weather-polished steel to foster a sense of wonder and observation. Says Lucy Tilley, Associate Director for Adjaye Associates, “We have been able to challenge the traditional museum typology with a design that creates a new model of visitor experience which straddles the physical and digital worlds.”

Foster + Partners’ (& Heatherwick Studio’s) Shanghai skyscraper duo

Thomas Heatherwick’s office has teamed up with our friends at Foster + Partners to create dueling skyscrapers which will stand at the intersection of Shanghai’s Old City and the (newer) Bund Finance Centre. The two studios have devised a 4.5M SqFt masterplan, of which the centerpiece, the Fosun Foundation, completed earlier this summer, is an arts and culture center with a bright curtain-like facade of bronze tubing. Influenced by the 19th-century buildings of the Bund, the glazed skyscrapers will feature textured frames of granite which will attenuate as the towers rise. This give the base a more solid appearance than the glass-encased tops. The towers feature bronze and granite detailing to link them aesthetically to the Fosun Foundation.

Deborah Berke Partners’ tower for Cummins Indianapolis with shifted floor plates

The Cummins Indy Distribution Headquarters is a glass office tower in Indianapolis with unique projections which jut out from its facade. Built on the site of a former sports arena, it occupies a four-acre block which runs along Market Street, a major thoroughfare and cultural district in Indianapolis, creating what the office describes as a “street wall.” The building serves as a global distribution HQ for Cummins. That corporation has in the past contributed to the architectural beautification of the city of Columbus, Indiana by enlisting for its office-building purposes the services of architects like Eero Saarinen and IM Pei. The structure, by our friends at Deborah Berke Partners, which contains offices, social areas, conference facilities and retail volumes, was conceived as a narrow, long, and short (nine-storey) building with shifting floorplates, some of which cantilever outwards, giving the facade its distinctive look.

The One, by Foster + Partners and CORE Architects, slated to be Canada’s tallest building

“The One” will, upon completion, stand 3300’/85-storeys and will be the tallest building in Canada. The building will combine high-end retail (below) with luxury condominiums (above), and will lie at One Bloor West, between Downtown Toronto and the opulent Yorkville neighborhood. The building’s facade will feature full-height glazing on each floor, and will be wrapped in a wildly geometrical expressive exoskeleton of diagonal, vertical, and horizontal shapes in bronze. Designed by our friends at Foster + Partners, in collaboration with CORE Architects, “The One” also offers access to the city’s underground ‘PATH’ network of pedestrian walkways. The residential floors are based on flexible 620-square-foot modules and can be configured into different layouts; amenities will include shared spa and fitness facilities, a library, formal entertaining rooms, and a large south-facing terrace with luxe spaces.

S9 Architecture’s Brooklyn Navy Yard outpost for WeWork has topped out​ at Dock 72

The new home of WeWork, a company which provides freelancers, startups and small businesses with shared workplace communities will exist at Dock 72 at the Brooklyn Navy Yard, and will take up 222,K SqFt over 17-storeys. The substantial amenities of the building will be curated by WeWork, and will include a 13,K SqFt food hall, a 15,K SqFt health & wellness center, an open lawn with sporting equipment, and a conference center. For the design of the building, our friends at S9 Architecture has drawn influence from the Navy Yard’s maritime history, and the building’s massing resembles historic ships built on that site. The structure is a storm-proofed with a set of twenty 42′-tall V-shaped steel columns.

CetraRuddy office building on S.I. breaks ground (will have bocce courts and a vineyard)

Today ground is broken on a 336,K SqFt office building in Staten Island with a bocce court, and a 40,K SqFt rooftop farm, which will provide produce for the building’s social enterprise restaurant – Pienza, Pizza, Pasta and Porchetta – that will donate all of its proceeds to charity. The eight-storey structure. aiming for LEED Silver Certification, is part of Staten Island’s Teleport campus in Bloomfield, near Arthur Kill. The south side of the building, designed by our friends at CetraRuddy, will slope sharply towards the ground, and this will minimize solar heat gain; its north side will angle up to draw in rays. The interior is also of note, featuring, as it will, a double-heght lobby in Italian marble. The same can be said of the outlying area, where the building’s developers, Nicotra, are working with specialists from Napa Valley on a vineyard.

Renderings for the new Rafael Viñoly Manhattan supertall

Our friends at Rafael Viñoly Architects have a new tower in the works at 125 Greenwich Street in Manhattan’s Financial District. The glass-clad tower will rise 88 storeys/912′ and will house luxury condos with interiors designed by March & White, a British firm which, interestingly, primarily designs superyachts; accordingly, the interiors will draw inspiration from the interiors of such sea vessels. The tower is grounded by dual exposed concrete column which all for floorplates without columns. The building’s top three floors will feature a spa, 50-foot lap pool, and a fitness center with a yoga studio and training room. As yet not much is known about the building’s relationship to the street as there are no images of the ground condition.

New Renzo Piano-Designed Building​​ for the Academy Museum of Motion Pictures

The Academy Museum of Motion Pictures yesterday released preliminary programming plans for its new location in LA’s Miracle Mile district, within the May Company Building on Wilshire Boulevard, with a new adjacent a 140-foot-tall glass and steel orb-shaped structure housing a 1,000-seat theater and large terrace and overlooking the Hollywood hills. The main building will include two floors devoted to permanent exhibitions surveying the evolution of filmmaking, with another for rotating exhibitions. The theater within the dome will be equipped to show 35mm, 70mm, and nitrate film prints. As the exhibits incorporate a vast array of kinds of displays and media, our friends at Renzo Piano Building Workshop set about making the spaces as flexible as possible, while also bearing in mind Museum director Kerry Brougher’s desire for an immersive experience for visitors.